Publisher: Dark Horse Comics
Writer: Mike Mignola, Christopher Golden
Art: Peter Bergting, Dave Stewart
Release Date: May 4th 2016

---

Baltimore: Empty Graves #2 is the latest issue in the current mini-series of the Baltimore franchise. The overall story is very much established at this point, with each mini-series building upon and referencing previous events from the comic’s universe. The book is a much richer and rewarding read when followed chronologically, of course, but the segmented format – with key plot points explained via editorial notes – ensures that each mini-series is self contained.

This means that old and new readers can dip into the world of Baltimore at various points, and is a testament to the strength of Mike Mignola and Christopher Golden’s wonderful writing. As usual, their collaboration is a heavily character driven piece, despite the ensemble cast, and this is expressed not only through detailed dialogue, but also through the format of the issue.

Balitmore: Empty Graves marks an interesting point in the wider story arc. As the title suggests, it is very much a reflection upon the events of the series as well as an insight into character histories; this narrative format of a ‘tale being told’ has been used since the original graphic novel, Baltimore, or, The Steadfast Tin Soldier and the Vampire, in which Doctor Lemuel Rose, Thomas Childress Jr., and Demetrius Aischros relayed the account of Lord Baltimore’s battle with the vampire Haigus.

After the altercation with the coven that resulted in the death of Lord Baltimore’s close allies, the first couple of episodes in this current mini-series act as a pause in the action. In doing so, Mignola and Golden explore the character dynamics of the remaining band of monster hunters as, without bodies to bury, they dig empty graves and mourn the loss of friends.

The group prepares to follow a lead to Constantinople in their hunt for the Red King. In doing so, they contemplate their own deaths and destiny, knowing that to fight will seal their fate; they are technically digging graves for themselves too. These somewhat sombre scenes are intercut with the strange worshippers of the fabled Red King, as they prepare the missing bodies in a mysterious ritual.

As usual, the artwork is stunning. Peter Bergting’s lines and detailing are reminiscent of Don Heck’s horror from the 1950s, lending the comic a classic visual style that works beautifully with Dave Stewart’s block colours.

This issue is a solemn ode to beloved characters. A philosophical pause in the action of the story, it feels very much like the series is gearing up for an almighty battle. The time taken to reminisce and explore each ensemble character in detail before the altercation – asking why they fight – guarantees a richer and more affective experience for the audience. This very human heart of the story also makes the horror much more harrowing. Excellent stuff.

Rating: 5/5.

---

The writer of this piece was: Rebecca Booth
Rebecca Tweets from @rebeccalbooth

---